PPGD/EBA/UFRJ
Developments in Theory-Practice Research in Graduate Design studies
DOI:
https://doi.org/10.29147/datjournal.v11i1.1117Keywords:
Design Research, Theory-Practice Research, Thinking and Making, Theory in DesignAbstract
This article adopts a qualitative and exploratory approach to reflect on the creation and implementation of the PhD program in the Graduate Program in Design at the School of Fine Arts of the Federal University of Rio de Janeiro (PPGD/EBA/UFRJ), relating this institutional experience to current debates on design research and theory–practice methodologies in the field of Visual Design. The program began in 2017 with the Master's degree, and the PhD was approved in 2024 and launched in 2025. Its proposal emphasizes critical and experimental theory–practice research committed to sustainability, inclusion, and contemporary demands. The article makes explicit the program’s epistemological legacies and engages with contributions by Bomfim, Frayling, and Redström. Based on this theoretical framework and on the analysis of research developed within the program, it proposes a typology of three axes of theory–practice articulation: Poetics of making (process and materiality as evidence), Critical-analytical modellings (analytical instruments and critical-visual arguments), and Guideline-oriented iterativity (transferable syntheses). Finally, it argues that the interdependence of theory and practice is central to contemporary academic debates in design and, within the PPGD/EBA/UFRJ, is operationalized through the proposed typology.
Downloads
References
ARCHER, Bruce. The Nature of Research. Codesign - interdisciplinary journal of design. January, 1995. pp. 6-13.
BOMFIM, G. A. Sobre a Possibilidade de uma Teoria do Design. In: *Estudos em Design*. Ano II; Vol. II. Rio de Janeiro, 1994.
DOWNTON, P. *Design research*. Reprinted ed. Melbourne: RMIT University Press, 2005.
DURLING, D., FRIEDMAN, K. & GUTHERSON, P. (2002). Editorial: debating the practice-based PhD. *International Journal of Design Science and Technology*, 10 (2), 7–18.
FRANKEL, L.; RACINE, M. The Complex Field of Research: for Design, through Design, and about Design. In: Durling, D., Bousbaci, R., Chen, L., Gauthier, P., Poldma, T., Roworth-Stokes, S. and Stolterman, E. (eds.), *Design and Complexity - DRS International Conference 2010*, 7-9 July, Montreal, Canada, 2010. https://dl.designresearchsociety.org/drs-conference-papers/drs2010/researchpapers/43
FRAYLING, C. Research in art and design. *Royal College of Art*, London, v. 1, nº 1, p. 1-5, 1993/4.
INGOLD, T. *Fazer: Antropologia, Arqueologia, Arte e Arquitetura*. Petrópolis, RJ: Vozes, 2022.
MORTON, Timothy. *Hyperobjects: philosophy and ecology after the end of the world*. Minnesota: University of Minnesota Press, 2013.
NIEDDERER, K.; REILLY, L. Research practice in art and design: Experiential knowledge and organised inquiry [Editorial]. *Journal of Research Practice*, 6(2), Article E2, 2010. http://jrp.icaap.org/index.php/jrp/article/view/247
REDSTRÖM, J. *Making design theory*. Cambridge, MA: MIT Press Ltd, 2017.
SCHÖN, D. A. *The reflective practitioner: how professionals think in action*. New York: Basic Books, 1983.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 DAT Journal

This work is licensed under a Creative Commons Attribution 4.0 International License.






















