Videodança como enação em At Land de Maya Deren
Considerações enativas, incorporadas e neurocinemáticas
DOI:
https://doi.org/10.29147/dat.v3i1.66Palavras-chave:
Videodança, Coreógrafa, Maya Deren, At Land, Mente enativa, Neurocinemática, Ritual, Percepção, IntersubjetividadeResumo
A bailarina, coreógrafa e cineasta Maya Deren pode ser vista como uma das pioneiras da videodança. Seus filmes experimentais desafiaram as tramas convencionais do cinema ao enfatizar uma experiência ambígua, aberta para diversas interpretações. Para Deren, assistir filmes é um ritual socialmente determinado, incorporando experiências dos participantes, compartilhadas intersubjetivamente. Isso torna seus filmes particularmente interessantes para os estudos neurocinemáticos de hoje. Suas ideias também antecipam a recente abordagem sobre mentes enativas, conforme a qual o sistema corpo-cérebro é inseparavelmente situado e acoplado com o mundo pela interação. Isso faz supor que aspectos privados da enatividade humana, como a percepção e cognição, e intersubjetivos, como cultura, ciências ou artes, estão baseados na incorporação da experiência de vida. Refletindo esse raciocínio, o curta de Deren: At Land é analisado como uma expressão de um sistema corpo-cérebro situado e enativo no mundo, com referências à neurociência, estudos neurocinemáticos e videodança.
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