A bomb was launched

Reflections on reasons and effects of yarnbombing

Authors

  • Regina Barbosa
  • Gilbertto Prado

DOI:

https://doi.org/10.29147/dat.v4i2.131

Keywords:

Yarnbombing, Craftivism, Urban space, Needlework

Abstract

The following article presents the practice of yarnbombing as an action of taking position and responsibility of the practitioner(s) over the space where one lives in. Those interventions happen considering the re-territorialization of the anonymous and domestic acts of needlework that extend themselves over the public spaces, in which groups build discourses and possibilities of dialogue with
the public, in a both playful and palpable way, through familiar tools, techniques and materials. It is questioned if, when it blows up, a bomb made of yarn brings with it as an impact the tangling between the message that the bombers want to send, what is read by those who were hit by it and the effects on the landscape.

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References

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MANN, Joanna. Towards a politics of whimsy: yarn bombing the city (2015). In: Area, 47.1, 65-72.

PARKER, Rozsika. The Subversive Stitch, embroidery and the making of the feminine. Londres: I.B.Tauris, 2010.

SPAMPINATO, Francesco. Come Together, the rise of cooperative art and design. Nova Iorque: Princeton Architectural Press, 2015.

RESTANY, Pierre. Hundertwasser: o pintor-rei das cinco peles - Editora Taschen, 2008.

Published

2019-08-05

How to Cite

Barbosa, R., & Prado, G. (2019). A bomb was launched: Reflections on reasons and effects of yarnbombing. DAT Journal, 4(2), 69–76. https://doi.org/10.29147/dat.v4i2.131