Interactive Art and the Machinic Unconscious
DOI:
https://doi.org/10.29147/dat.v3i1.69Keywords:
Artificial Intelligence, Chat Bots, Interactive Art, SoftwareAbstract
The history of technology is also the one in which culture allowed the externalization of human potentialities through instruments and machines. The emergence of computers seems to give continuity to that process of the expansion into the environment, or extra somatization of our brains and cognitive abilities. It is interesting in this study to consider that automated systems, based on the use of Artificial Intelligence, especially those used in interactive art works, can be understood as extra somatization of a special aspect of the cognitive processes: the unconscious automatism. Computational languages live at the heart of this process, understood here as part of a phenomenon of cultural complexity. The aim is to reflect on the creative role played by intelligent automatic processes, performed by interactive systems, understood as the technological possibility of realizing, in machines, complex unconscious actions, a kind of machinic gesturality, from a a machinic unconscious.
Downloads
References
BARGH, J. A.; MORSELLA, E. The Unconscious Mind. Perspectives on Psychological Science, v. 3, n. 1, p. 73–79, 2008.
CAMPOS, Jorge Lucio de & CHAGAS, Filipe. Os conceitos de Gilbert Simondon como fundamentos para o design. In: Bibliotenca on-line de Ciências da Comunicação. 2008. Disponível em: http://pt.scribd.com/doc/55929022/Campos-Jorge-ChagasFilipe-Conceitos-de-GilbertSimondon. Acesso realizado em: 03/03/2017.
DAMASIO, A. Self comes to mind: constructing the conscious brain. New York: Pantheon Books. Edição do Kindle, 2010.
DONALD, Merlin. Origins of the Modern Mind: Three stages in the evolution of FLORIDI, Luciano. Should we be afraid of AI?. Aeon, published in 9th May 2016. Available from: https://aeon.co/essays/true-ai-is-both-logically-possible-and-utterly-implausible.
FOGLIANO, Fernando. O Atrator Poético : a Arte no estudo do Design da Interação The Atrator Poético : Art in the study of Design of Interaction. Rev. da Associação Estudos em Design - Puc-Rio, v. 15, p. 1–17, 2008.
FOGLIANO, Fernando. #9.Art - 9o Encontro Internacional de Arte e Tecnologia. Cultura Imaterial: Linguagem, Arte e Tecnologia. 2010.
FOGLIANO, Fernando. Cultura e Tecnologia: A Automação nos Processos Criativos das Narrativas. Revista
da Anpoll, V1, n35 (2013). ISSN 1982-7830.
GAZZANIGA, Michael S. Who’s in Charge?: Free Will and the Science of the Brain . Harper-Collins. Edição do Kindle, 2011.
HANSEN, Mark B. N. New Philosophy for new Media. Cambridge: MIT Press, 2006.
KITTLER, Friedrich. A história dos meios de comunicação in O Chip e o Caleidoscópio: Reflexões sobre as novas mídias. Lucia Leão (org.). São Paulo: Editora Senac de São Paulo, 2005, p. 73-100.
LAURENTIZ, Silvia. Processos computacionais evolutivos na arte. ARS (São Paulo)[online]. 2003, vol.1, n.2 [cited 2018-03-31], pp.45-55. Available from: http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202003000200004&lng=en&nrm=iso. ISSN 1678-5320. http://dx.doi.org/10.1590/S1678-53202003000200004
MITHEN, Steven. A pré-história da mente: uma busca das origens da arte, da religião e da ciência. São Paulo: Editora UNESP, 2002.
NUNES, Fabio Oliveira. Mentira de Artista. São Paulo: Comogonias Elétricas, 2016.
PERES, Carolina e Fogliano, Fernando. O pensamento simondoneano e a imagem contemporânea. Revista do Programa de Pós-Graduação em Comunicação e Cultura da Escola de Comunicação de Universidade Fedreral do Rio de Janeiro. Gilbr Simondon. v.20, N.1, 2017
THEOBALD, Oliver. Machine Learning for Absolute Beginners: A Plain English Introduction (First Edition) (pp. 71-72). Scatterplot Press. Edição do Kindle, 2017.
